VOUET, Simon

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting


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VOUET, Simon The Last Supper wt oil


The Last Supper wt
Painting ID::  9688
The Last Supper wt
1615-20 Oil on canvas Palazzo Apostolico, Loreto
1615-20 Oil_on_canvas Palazzo_Apostolico,_Loreto
   
   
     

VOUET, Simon Prince Marcantonio Doria e oil


Prince Marcantonio Doria e
Painting ID::  9689
Prince Marcantonio Doria e
1621 Oil on canvas, 129 x 95 cm Mus??e du Louvre, Paris
1621 Oil_on_canvas,_129_x_95_cm Mus??e_du_Louvre,_Paris
   
   
     

VOUET, Simon Crucifixion wet oil


Crucifixion wet
Painting ID::  9690
Crucifixion wet
1622 Oil on canvas, 375 x 225 cm Chiesa del Ges??, Genoa
1622 Oil_on_canvas,_375_x_225_cm Chiesa_del_Ges??,_Genoa
   
   
     

VOUET, Simon Crucifixion er oil


Crucifixion er
Painting ID::  9691
Crucifixion er
Oil on canvas Mus??e des Beaux-Arts, Lyon
Oil_on_canvas Mus??e_des_Beaux-Arts,_Lyon
   
   
     

VOUET, Simon Father Time Overcome by Love, Hope and Beauty hf oil


Father Time Overcome by Love, Hope and Beauty hf
Painting ID::  9693
Father Time Overcome by Love, Hope and Beauty hf
1627 Oil on canvas, 107 x 142 cm Museo del Prado, Madrid
1627 Oil_on_canvas,_107_x_142_cm Museo_del_Prado,_Madrid
   
   
     

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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